GRIZZLY PEAR

written snapshots

Category: Bits

  • Editing my notes on the Gita—with AI

    With the recent talk about AI, I threw Wednesday’s post into ChatGPT to see what it would suggest. I had tried to craft a decent newsletter, but still felt there was room for improvement on this one.

    ,

    I spent the month of April 2021 reading and listening to all the books in the library about the Bhagavad Gita. I thought about doing a series of separate posts, but I’m not sure I have that much to say, so listicle time!

    In April 2021, I dedicated the month to reading and listening to every book in the library about the Bhagavad Gita. I thought about writing a series of separate posts, but I wasn’t sure I had enough to say, so here’s a listicle instead!

    I’m toying with a cheeky tone. AI made it blandly cheery.

    ,

    Let’s start with a free copy, translated by Sir Edwin Arnold. As with all public domain books, the language is dated, but nothing beyond the King James Version of the Bible. It doesn’t come with commentaries, which are essential for understanding what’s going on—especially for us from the West where Hinduism is an exotic oriental religion, but the price is right for a decent introduction to the Gita.

    Let’s start with a free version, translated by Sir Edwin Arnold. Like all public domain books, the language is somewhat dated, but it’s no more difficult than the King James Bible. This version doesn’t include commentaries, which are essential for understanding the Gita—especially for those of us from the West, where Hinduism often feels like an exotic, mysterious tradition. Still, for a decent introduction, the price (free) can’t be beat.

    Interesting that AI replaced “oriental” with “mysterious”—PC-ness run amok. The use of this inflammatory term was specifically chosen for contrast.

    Also, adding “(free)” to the last sentence was just blunt force trauma on the point.

    ,

    I listened to Jack Hawley’s Bhagavad Gita, A Walkthrough for Westerners which is a translation where the commentary is mixed into the writing, resulting in a version that is three times as long as the original poem. It’s an interesting concept that reminds me of the Living Bible paraphrase of the Bible published in the 1970’s. But I was reading the original at the same time as listening to this book, so it felt strange to have Hawley’s parentheticals inserted into the flow of the text. And it was unsettling to never be sure what was textual and what was explanatory. I don’t think it’s a horrible idea, but I prefer the streamlined punch of the original.

    I also listened to Bhagavad Gita: A Walkthrough for Westerners by Jack Hawley. This translation includes commentary woven directly into the text, making it three times as long as the original. While it’s an interesting approach, it reminded me of the Living Bible paraphrase from the 1970s. I read the original at the same time, so it felt strange to have Hawley’s parenthetical explanations inserted into the flow of the text. It was often unclear which parts were textual and which were commentary. While I don’t think this format is terrible, I prefer the streamlined power of the original Gita.

    I’ll give it to AI, “woven” is better than “mixed”. I’ll also respect its valiant attempts to avoid starting sentences with conjunctions. I don’t like it myself, but ridding the conjunctions requires structural renovations, not mere massaging. This is not a great paragraph, but AI didn’t make it better.

    ,

    I also listened to Ram Dass’s book Paths to God which takes the opposite tack from Jack Hawley. This is a series of lectures nominally around the Gita, but really about Hinduism and spirituality in general. I first came across Ram Dass in the documentary Fierce Grace (as part of a double header with Winged Migration in a movie theater that was about to be demolished). I’ve always been skeptical about white dudes who are into eastern spirituality, but I could sense a good spirit in the film. One interesting aspect of this book is that Ram Dass effortlessly utilizes the language of the 60’s (freak, trip, etc) in a way that makes one understand how that vocabulary came about. Of course it has become a caricature through the intervening decades, but the body of language met a need that was lacking in standard English. In all, I really liked this book.

    Next, I listened to Paths to God by Ram Dass, which takes the opposite approach from Hawley. Rather than focusing directly on the Gita, it’s a series of lectures about Hinduism and spirituality in general. I first encountered Ram Dass in the documentary Fierce Grace, which I saw as part of a double feature with Winged Migration in a theater set to be demolished. I’ve always been skeptical of white people exploring Eastern spirituality, but I could sense a genuine spirit in his teachings. One notable aspect of Paths to God is how effortlessly Ram Dass uses 1960s vernacular (terms like “freak” and “trip”), giving insight into how that language came about. While these terms have become caricatures over time, they filled a linguistic gap in standard English. I really enjoyed the book overall.

    Another mediocre paragraph that wasn’t vastly improved by AI. I find it annoying that they polish away the personality by smoothing out the language, such as “dudes” into “people”.

    Even though some of the suggested revisions are decent, the ultimate weakness of this paragraph is its blandness, and AI only pushes towards further blandness. For example, I should have leaned into the 60’s terminology by closing with “I really dug this book”, not turned “liked” into “enjoyed”.

    Many times, it seems that AI is paid by the syllable.

    ,

    The library has a straight audiobook reading of the Gita translated by Barbara Stoler-Miller. The reader, Jacob Needleman, has a copy of the audio posted on his own website. The free version online is of inferior audio quality to the version on Overdrive, but it is free.

    The library also has an audiobook of the Gita, translated by Barbara Stoler-Miller, read by Jacob Needleman. Needleman also has a version available on his website. The free online version has inferior audio quality compared to the Overdrive version, but it’s still free.

    Eknath Easwaran has a popular translation, but he relies a bit too much on sanskrit terms which makes it hard to follow at times.

    Eknath Easwaran’s popular translation is another option, though I found it hard to follow at times due to his heavy reliance on Sanskrit terms.

    I could take or leave the edits on these two short paragraphs.

    ,

    When Love Comes to Light, by Richard Freeman & Mary Taylor is a two part book, with an extended ten chapter commentary of the Gita followed by a translation of the book in the second part. Having read and listened to a few books about the Gita, I’m at that point where I’m no longer a complete stranger to the work, but I am still such a novice I can’t really judge the quality of the commentary. Nothing seems out of line with what other people say about the Gita. One nice feature about this commentary is that it generally follows the flow of the Gita. While the essays don’t shy from pulling quotes from the entire book, the flow of the ten chapters covers the themes in the order that they were presented in the original. As such, it may be a good introduction to the Gita.

    When Love Comes to Light by Richard Freeman and Mary Taylor is a two-part book, with a lengthy ten-chapter commentary on the Gita followed by a translation of the text. Having read and listened to several books on the Gita, I now feel like I’m not a complete stranger to it. But I’m still a novice, so I can’t really judge the quality of the commentary. It generally seems in line with what others say about the Gita. One nice feature of this commentary is that it follows the flow of the original text, covering the themes in the same order. As such, it might be a good introduction to the Gita for beginners.

    I needed to take a chainsaw to the original paragraph. AI didn’t go far enough in condensing the text, but it did better than me.

    ,

    The Great Work of Your Life: A Guide for the Journey to Your True Calling, by Stephen Cope is a self help book based around the Gita. Like any self help book it is digested in to four digestible “pillars”:

    1. Look to your Dharma
    2. Do it Full Out!
    3. Let Go of the Fruits
    4. Turn it Over to God.

    I enjoyed being introduced to the biographies of the great individuals who were discussed in the book, but the criticism on Amazon that the author never dealt with the the conundrum of familial obligations is absolutely on point. The Gita is all about following your duty, which is an easy concept if one has only one single overarching dharma. But what if you have multiple obligations? This book falls short for us normies. I understand why Cope streamlined the biographies to focus on their pursuits of their dharma, but this reduced applicability of these stories for our messy lives. I get that the greats are great because they are different, but if the author doesn’t draw a connection between their lives and our reality, then their biographies become irrelevant. As such, the book is simultaneously too long and too short.

    The Great Work of Your Life: A Guide for the Journey to Your True Calling by Stephen Cope is a self-help book based on the Gita. Like any self-help book, it’s broken down into four digestible “pillars”:

    • Look to your Dharma
    • Do it Full Out!
    • Let Go of the Fruits
    • Turn it Over to God

    I enjoyed the biographies of the great individuals discussed in the book. However, an Amazon review’s criticism about Cope’s failure to address the conundrum of familial obligations is spot on. The Gita is all about following your duty, which is an easy concept if you have a single, clear dharma. But what if you have multiple obligations? This book falls short for people who don’t have a singular calling. While I understand why Cope focused on the great figures’ pursuit of their dharma, he doesn’t draw meaningful connections to our more complex, everyday lives. As a result, the book feels both too long and too short.

    Another long paragraph that AI slightly tightened when it needed drastic cuts. I’m gonna call this a draw because it misread one of my points. Then again, that’s my fault cause it wasn’t written clearly.

    ,

    I read the Stephen Mitchell translation, which is in Modern English. Unfortunately I can’t remember anything about this translation. Stephen Mitchell has translated so many different texts, I’m always a little worried about whether he has the expertise to do it right whenever it comes to a specific book.

    I also read Stephen Mitchell’s modern English translation, though I can’t remember much about it. Mitchell has translated so many texts that I sometimes question whether he has the depth of expertise required for specific works like the Gita.

    AI was straight up better, but I noticed that my voice is missing. If keeping my voice is important, then I need to tighten up my writing myself.

    ,

    I’ve ultimately settled on Laurie Patton’s translation. I enjoy her tight structure, capturing a poetic pithiness of the original that the other translations don’t. I read this after my initial explorations, so having some of the concepts telegraphed is not a problem.

    Ultimately, I’ve settled on Laurie Patton’s translation. I appreciate how she captures the original’s poetic essence with tight, concise language that other translations lack. By the time I read this version, I had already explored the Gita’s concepts, so the occasional telegraphing of ideas didn’t bother me.

    AI polished too much again. There are slight awkwardness in some of my wording, but nothing I would change in favor of AI. In a shorter paragraph, a little awkwardness is fine.

    ,

    Given that I’ve read more about this text than any other text from the last twenty years you could say I dig the book. Its appeal to duty resonates with the cultural Confucianism of my upbringing and my intellect is tickled by the exotic foreign spirituality in the rest of the book.

    Given that I’ve studied this text more than any other over the past twenty years, you could say I’m a big fan. The Gita’s emphasis on duty resonates deeply with the Confucian values of my upbringing, while its spiritual insights continue to intrigue my intellect.

    AI nuked “exotic” and “foreign“. It really hates toying with otherness.

    ,

    Naturally, the Gita has ended up in the top tier of wisdom literature that I would like to revisit for the rest of my life, along with the Daodejing, Analects, Havamal, Zhuangzi, and the book of Ecclesiastes.

    Naturally, the Gita has become one of the top texts I’d like to revisit throughout my life, alongside the Daodejing, Analects, Hávamál, Zhuangzi, and the Book of Ecclesiastes.

    Hey, AI got the accents for the Havamal!

    ,

    In 2023, I briefly messed with ChatGPT. I was underwhelmed. The hallucinations made it useless for research and it short circuited my process when I used it for synonyms (as opposed to using an online thesaurus).

    Two years later, I have been stunned at its search improvements (or Google SEO’d blog posts have become that much worse). But this exercise shows that AI isn’t ready as a writing assistant (unless you’re just pushing bland-ass corporate bullshit).

    Revisiting ChatGPT after a few years, I was amazed at how much it has improved for research—though I can’t help but wonder if Google SEO-optimized blog posts have just gotten that much worse. However, this exercise demonstrates that AI still isn’t quite ready to be a go-to writing assistant—unless, of course, you’re aiming to produce generic corporate content.

    Editing isn’t always fun. Especially on the Nth pass through a piece that you desperately need to get out of your life. But hard editing forges a piece that is uniquely yours. AI is no shortcut. Indeed, it’s a detriment, fostering complacency that will further drown your voice in the hurricane of content.

    In a couple of years, FOMO will grab me again and I’ll check it out. Until then, the shortcut to better editing remains just taking a damn nap.

    .

  • Keep making mistakes!

    I’ve mentioned it before but thought this is worth repeating. I’m no fan of AI, but it’s appearance has unlocked my acceptance of imperfection.

    It wasn’t a coincidence that I started drawing after two dormant decades after Dall-E and Midjourney hit the mainstream in 2022.

    Before this happened, I would have guessed that generative AI images would finally smothered the last embers of my interest in drawing.

    Instead, I was freed from the self induced constipation of accuracy. I picked up the pen and started laying ink on paper again.

    They’re rough. There’s no undo button. No edit function. All you can do is start over, again. Try not to mess it all up with the last few lines on the page.

    These aren’t perfect, but I can vouch for their provenance. My hand was there when each molecule of dye nestled into the fibers of these pages.

    Here’s to many experiments in this year of the Dragon!
     

    I wasn’t super happy with the purple, but it was “good enough”…until I messed up the last two letters of this page. Lettering in ink demands full attention. The simplest mistake can be catastrophic.
    This was on a good track, and then I got cute with his beard and ruined the dragon. Again, the last thing killed the whole page.
    At this point, I didn’t even try to outline the dragon. I didn’t have energy to try a fourth time. I kind of like how the dragon is a bit atmospheric on the page…but that might be a total rationalization for wimping out.
  • Post to Substack

    This time last year, there was a magical moment on Post.news as people escaped the chaos of the recently acquired Twitter.

    It was a wonderful holiday season as we enjoyed and explored each others’ art. I rediscovered my drawing hand, which had atrophied from decades of fear. They encouraged me to keep exploring poetry. Post freed me to make bad art, which might not sound special, but it’s eons ahead of doing nothing.

    I’m not sure what went wrong (maybe their focus on news and opinion?) but the magic dissipated in the early months of the new year. I miss those folks, but most of them have also moved on, and I don’t have time to be online everywhere.

    Fortunately Substack stepped in to fill the void. This community has been generous with encouragement and relentlessly inspiring with the endless publishing of amazing work. It’s a place to stretch and play.

    When I joined Post last Thanksgiving, I took a photo of our freshly reinstalled Christmas tree to be the banner image of my user account (it’s still there). This morning, that tree is back up as we enter into another holiday season.

    What will the new year bring? Who knows. Maybe I’ll actually bang out some good art. Whatever’s. I’ll settle for sharing more bad art. A second year of making would be an accomplishment in this topsy-turvy world.

    In the meantime, thanks for the company; let’s hope this party lasts a bit longer.

  • ~600! (on Post)

    It took three months between milestones this time.

    This long interval reflects my shift from hanging out on Post to Substack Notes.

    Post is a better feed experience — I love the variety.

    But the newsletter integration at Substack is the “killer app” that kept my attention there. My major goal this year was to make a dent in the pile of old blog drafts and Substack is a better platform for that endeavor.

    But things might be shifting, now that I’ve signed up for auto posting from the RSS feed. It effectively lets me schedule posts for Post and this place has always been a bit more interactive for me. (Until this week, it was essentially impossible hard to follow anyone on Substack Notes without Subscribing to their newsletter, so the circles there are small and extremely top heavy.)

    It will be interesting to see how these Social Media Wars play out, even as I try to reduce my time on digital feeds (though I’ve recently discovered Pinterest as a great resource for visual inspiration). I’ve made a dent in my publishing backlog but it will take some effort to clear the decks and I want to spend more time sketching and reading books.

    The internet is a tricky beast. In the past month I might have spent more time shopping for fountain pens than pushing any of those priorities. Perusing virtual shelves, watching youtube videos, and planning purchases are great hacks at making you believe you’ve done something while accomplishing nothing.

    So I’ve made a resolution to stop shopping for the rest of the year. I’ve got a few toys in the mail and I bet that “necessities” will pop up to open my wallet. But no more discretionary browsing!

    Here’s to another fresh start to an old year!

    Blue ink sketch of a hand holding a fountain pen
  • 500!

    So I hit half a thousand.

    I hear you’re cheating on Post!

    As some of y’all might have noticed, I’ve dipped my toe into Substack. So here’s a comparison of the platforms to celebrate this big round number.

    When I was at Berkeley, I hung out with the art majors. We always felt there was a divide between the East Bay folks who did wacky things and the San Francisco snobs who made boring high art.

    That’s Post and Substack.

    Over here are folks who are experimenting and playing, picking up the stray tip. Out there is a polished crowd, with their paid subscription income streams.

    Why on earth did I sneak out across the bay to check out those people?

    Well, you get tired of living in a dingy warehouse where it looks like the landlord is more interested in side projects other than the shit that you care about.

    We’ve been waiting for comment notifications for half a year. And yeah, that comment count bug in April broke me.

    What’s it like out there with the white wine sippers?

    They got a clean interface. And their notification system actually works.

    But damn, they are really geared towards newsletters. It’s possible to follow someone on Substack Notes without subscribing to their newsletter, but it’s not obvious.

    More problematic than an overstuffed email inbox, it’s almost impossible to get traction as a small account. You think things have gotten quiet here? Try saying anything out there unless you’re responding to someone else. Substack doesn’t have an “explore feed”, so the only way anyone might see your comments is to either build a big subscription base first or to hope than an author looks at their “My Subscribers” tab and notice your comment among the scores of other comments to sift through.

    Don’t get me wrong, the authors at substack are all super nice and welcoming. But it doesn’t feel great to know that anything you say won’t get engagement unless you’re actively piggybacking on someone else. (Then again this comparison might be my Post privilege speaking as an early beta user here).

    From what I can tell, the Substack crowd is super focused on the craft of writing (not surprising since it’s a newsletter subscription platform), and of course there is plenty of politics cause that’s the new established religion of our democracy. But I miss the wide variety of art and photography that I find my follow here on Post. I hope it’s there on Substack, but I haven’t found out yet.

    Still, Substack is one helluva platform for newsletters, so my recent dalliance has gotten me writing regularly again and finally make some progress my “year of catching up”.

    So where next?

    I sure as hell ain’t going to a place that is run by the current or former CEO of Twitter. If I’m doing pro-bono content creation, it’s not going to be in the service of either type of fucking incompetence.

    Structurally, I prefer micropayments over the long term commitments of a subscription economy. As one might guess from the way I’ve framed the comparison, I’m fond of the Post crowd that has coalesced in the past six months. But there’s a lot of work that needs to be done, and I’ve lost confidence that my priorities are the platform’s priorities.

    That leaves me with writing on my home blog and cross posting to both Substack and Post. I don’t mind cutting and pasting once, but more than that is unsustainable, especially if I include the distracting subconscious tug to check notifications on multiple platforms.

    But hell, I’ll keep it up for another week or two.

    Once I hit late May, I should a difficult decision.

    In the meantime, let’s keep this party going, shall we?

    On to 600!

  • Go make a portfolio!

    With all the calls and emails I’ve fielded over the past two years, this week was the first time that someone looked at my online portfolio before contacting me. (LinkedIn recruiters are shockingly lazy!)

    The opportunity wasn’t a good fit, but we had a great conversation, and I learned about an exciting position to share with younger architects.

    ~

    My portfolio is a simple WordPress site with the Twenty Fourteen template and these plug-ins:

    • Disable Comments
    • Fourteen Colors (to change the colors in the template)
    • Really Simple SSL
    • SSL Insecure Content Fixer
    • WP Meta and Date Remover

    If this looks like too much, remember the imperative is to have a portfolio. Use a free site builder. (The creative director that I met had their work on Behance.)

    ~

    I’m a paranoid employment prepper. I graduated into the dotcom bust of 2001 and finished my masters in 2008. An online portfolio is an essential piece in my professional go-bag (along with a current resume, LinkedIn account, and preprinted work samples).

    More than forestalling doom and gloom and compiling old work, building a portfolio signals where you want to go.

    It forces you to write.
    Writing makes you think.

    I built this iteration in 2020. Amidst the global chaos, it was salutary to appreciate my career and ponder the future. As always, the process is more than the final product.

    Go make a portfolio!
    You’ll get more than a portfolio.

  • Monday Night Music

    A few months ago, I started sharing a song on youtube every Monday on Post.News

    I just transferred the archives back here onto Grizzly Pear under its own WordPress Category.

    I’m also tracking it on Youtube as its own playlist.

    At the start of the year, I also culled my subscriptions. Youtube is an amazing platform … and incredible timesuck. I also blocked channels from the recommendation algorithm, especially the ones with entertaining videos.

    In making Youtube boring, the algorithm was freed to unearth richer content. The latest random viral video pales against all the musical output that’s being shared at scale.

    Youtube may be the best music provider on the internet, you just have to get rid of all the other videos.

  • 402 (on Post.news)

    It’s fitting that this centennial post doesn’t land on a ’00 because I rePosted right past the landmark this morning.

    It’s been crazy busy at work for the past month. Good busy, but it takes a toll on creative output outside of work. (And inside work too!)

    Hopefully things will slow down in a month.

    In the meantime I’ve been happy finding (and sharing) the cool things everyone else are making. I’ve been using RP’s as bookmarks. Before posting, I enjoyed a quick stroll through through the recent past.

    I hope to return to a half-half equilibrium between original posts versus sharing other people’s work, but that might be after the next centenary.

    ~

    On Post in general, it feels that this place is going through a lull.

    The platform is still young, but no longer new. The limitless promise has worn off so the rough edges have become irritants.

    When are we going to get global notifications on comments? How much longer for lists! Why does rePosting something send me back to the top of the feed? Ugh, three columns. Bugs!

    I know, #StillinBeta! It helps to feel that management cares. Hopefully the doldrums are just a phase as it matures into a richer platform.

    It’s still a great crowd here. And I’ll be here as long as y’all are here.

    Here’s to more 00’s!

    ~

    Though you never know…which is why I believe everyone should keep their own website as an archive beyond of the whims of others…like here!

  • A year in 5 weeks!

    Hmm what big thing happened in the closing weeks of of 2022?

    Oh yeah! Of course!

    It has been an indulgent five weeks after I was let into this garden the Wednesday before Thanksgiving. I was genuinely excited when I got the invite email. I should have been even more excited, if I had known what we would do together as a group.

    With that, let me indulge in five #SundayShares of old posts, #PostTips and #PostProjects

    The Ghost of Old Year’s Past

    1. This pancake photo might not seem like much, but I’ve always been self conscious about my deficiencies as a photographer. This photo reminded me that I enjoy shooting #Texture and gave me confidence to make shareable images with a camera. One day, I’d love to be great at street or landscape, but I’ll leave those efforts for another year.
    2. I’ve always wanted to start drawing again, but my fear of inaccuracy had perennially constricted my gut. After joining Post, I wanted to see more hand drawing on Post and realized I needed to do my part. My hand was a convenient model which that morphed into a series the shaping ASL manual alphabet. The project clicked at “D” when I paired the sketch with a silly sentence. It’s so great when an iterative project crystalizes into something that feels just right. Even though I’m fan of quitting early and often, I’m also a huge proponent of repeating something until the universe gives a clear go/no-go.
    3. I posted notes on Honey, I Shrunk the Kids early one morning right after they released the feature showing who liked your Post. For a few minutes @noam was the only person who liked this Post. Hell yes, I have a screen shot.
    4. This may be getting extra-recursive, but I wanted to reshare this #SundayShare of the greatest honor of my career. Fuck cancer.
    5. I’ve been doing these Penny Delights on my blog for half a year. It’s a joy to share them with y’all!

    The Spirit of #PostTips today

    1. @adrianwright gave us two great mottos. “Grace is my default posture here.” Let’s keep it that way.
    2. This hack won’t be of much use after the Post Team rolls out their Lists and Global Notification features, but in the meantime, I been using my web browser’s bookmark folder for tracking favorite accounts, including @ mentions of myself (…/topics/<INSERTusernameHERE>)
    3. This might be just me, but please consider doing “Quick RePost” if you’re not adding substantive commentary. I believe a simple compliment is better added to the original Post’s comment section — it keeps the conversation centered on the original Post and the original Poster has a better chance to see and respond. This habit will also help keep following feeds clean if/when they start combining Quick Reposts into a single entry.
    4. I’m ashamed to admit it, but I used to dismiss #AltText as digital virtue signalling. After watching professional creatives studiously adding alt text to each of their images, I realized that I was the jackass. This the best aspect of Post culture — good peer pressure to make things better.
    5. Adrian’s second great comment was “Building a brand new community doesn’t easily lend itself to being a spectator sport…” There’s gonna be twists and turns in the new year. We’ll chat and moan about it. But ultimately, its most important to for each of us to make Post by making Posts!

    Dreams of Posts to come

    1. My blog has had two long running efforts “Notes on my Consumption” and “Written Snapshots”. I’ll keep sharing this #DailyWriting here.
    2. I’m going to finish my alphabet hand #Sketch series. I’d like to continue the #Texture photos. Maybe start a series on “boring architecture”. I wonder if my appropriation of the Tarot will last more than a couple of weeks — I have no idea what I’m doing!
    3. I’m a big fan of #SundayShare. It’s a fun excuse to dig into my archives.
    4. Are there other fun hashtag out there? @annasomeday came up with #WeekendWeirdness. @taratrudel just proposed #ComfortZone. @nolahaynes started #ClubGoodVibes. I’ve joined @allegrastein‘s #dailywriting crew. It will be fun to explore with other #PostCreatives like @jpdubois as these organic initiatives pop up.
    5. Finally, a negative goal: Stop wasting time on the meta-conversation. I already know who’s good and who’s naughty. Gossip is juicy but pseudo-fun steals time from making Posts!

    Unfortunately, it’s not all sunshine heading into 2023. I’m going back into the office after next week, re-inserting commute hours back into my routine and eroding my spare time.

    And to be honest, I’m a fickle person when it comes to hobbies. There is a legit chance that this Post might mark my peak on this platform.

    If so, I will be forever grateful to Noam and the Post team for an amazing year in five weeks.

    But let’s hope we’ll have many great weeks of sharing together.

    Maybe even years!

  • ± 100 Posts!

    a novice reads the I Ching

    How shall I consider 100 Posts?

    63:3 to 3

    Heading into our third weekend together, this will be my 100th post. (Technically I hit it earlier, but I deleted a few stray Posts along the way.)

    I pick up — and drop — hobbies with alacrity. I wish I weren’t so fickle, but I’m not the only one. There are many conflicting pulls on our time. Doing one means diminishing another, so I cycle through my recreations.

    Over the past two decade, we’ve seen social media platforms rise and fall. Glittering potential dissolving into pernicious squabbling. A brilliant dawn fades into tragedy.

    Will this be an apex or a milestone? I don’t know. If it’s near the top, then early gratitude for these magical 16 days. If the latter, then I look forward to many more Posts together.

    ~

    63. After Completion 既濟
    (water over fire)

    Success in small matters. Good fortune in at the beginning. But things might end in chaos. Equilibrium on a knife’s edge, calamitous disorder on both sides. Water over fire, steam gives power but fraught with danger. With the wrong attitude completion leads to decay. Practice constancy.

    Changing Line 3
    (yang becomes yin)

    Conquer demon territory. Establish a bastion in the borderlands. It will take capable leadership and persistence. Three years. A bold initiative will become a protracted campaign. Employ people of character. The work will exact a brutal toll. A petty man will lose it all.

    3. Difficulty at the Beginning 屯
    (water over quake)

    Life grows through the abyss. Great potential is attainable with good character. Be adaptable and dynamic, as clouds and thunder. Birth is a treacherous moment. Associate with noble people.

    ~

    Good start, don’t get cocky.
    Victory is attainable at great cost.
    Shape order from chaos with good company.