GRIZZLY PEAR

written snapshots

Category: Medias

  • Music, generally

    I grew up in a strictly classical house, but I ended up enjoying an extremely wide variety of music, everything from death metal, to tejano. My tastes run a mile wide and a millimeter deep.

    Out of this sea of noise, I do find myself regularly returning to celtic instrumentals, bluegrass, and Bach’s Goldberg Variations. Though I’ve gotten onto a jazz kick lately.

    Unfortunately, I never sit down to listen to music. Music is utilitarian noise while I do other stuff, Music has been relegated to third place after audiobooks / podcasts (for brainless chores and commutes) or silence (for focused attention).

    Music is for the middle tasks needs a non-distracting background noise to keep my brain from becoming anxious when the work is progressing slowly. Music can lull a mind that is spinning faster than the hand can fly.

    Traditionally, the lullaby has been Electronic Dance Music with driving beat and a simple melody. I’m slightly embarrassed by how much EDM I’ve consumed on youtube, but I’m also perversely proud of this odd quirk, like my occasional interest in the Eurovision song contest.

    I’ve always been too cheap to pay for concert experiences so my musical life has been 99.5% experienced over recorded media. I grok the appeal of the live experience, but for $16 I can get a plastic disc that can replay that sound sequence in perpetuity. It’s a classic 80/20 problem, especially now that it is all free on the interwebs

    In theory I want to learn how to properly appreciate music properly, but what should I delete from my schedule to make room for analyzing different versions of the Goldberg Variations or jazz standards?

    Even if I found time for music appreciation, I’d rather practice a musical instrument to some level of proficiency. Much like my musical tastes, I have a wide variety of instruments that I play at an exceedingly beginner level.

    I played piano for a very short period as a child. I lasted just long enough to learn the elementary basics of reading musical notation.

    In elementary school, I learned the recorder like every other kid. I still have the beige Yamaha recorder from 3rd grade in Mr. Edwards class.

    I played trombone in high school with a disastrous stint as a freshman in the UC Berkeley marching band. Music is too ephemeral for my materialist inclinations. I need a tangible deliverable. When I started architectural studios in the spring semester that year, I found my tribe.

    For quite a while I didn’t play any music, but after finishing undergrad I road tripped through the Southwest. In Albuquerque I met a guy from Alaska who spent the long winters playing the banjo. He pulled it out for a magical night, noodling on the front stoop of the hostel.

    (This was before we all had the internet in our pockets. I wonder if we’ve lost a generation over the last couple decades.)

    After the trip I got my own banjo, but never got any good at it. Just like all the other instruments I didn’t practice diligently. I had a short revival of playing the banjo during grad school, but hit a plateau and stopped.

    A couple years after grad school, I got into blues harmonica for a few months, playing it during lunch in the empty park next to my office (no one is outside during the Houston summer). I got good enough to bend notes, but stalled out and lost interest. I’m still quite fond of the harmonica – where else can you get a professional level instrument for $45?

    About seven years ago, I borrowed my parent’s ukulele which taught me the concept of chords. Playing childrens songs felt like a reasonable goal. I got far enough to buy my own ukulele (a plastic model that is virtually indestructible), but then I came across a book on clawhammer banjo at the library and went back to my old fellow.

    With the clawhammer style, I got good enough to play about five or six songs on the banjo but stopped. (For a while I kept it the corner of the playroom, so I could frail on a whim, but the boy broke with the fifth string a year ago and I haven’t fixed it.)

    Finally, when the boy was born, I suddenly got entranced by the idea of percussion. I first picked up a djembe (what gorgeous bass!), but settled on a darbuka because I enjoyed the asymmetrical position. But again a lack of dedication meant I never internalized any of the standard rhythms. Maybe I can blame COVID because I stopped going to drum circles and haven’t returned.

    I’d like to pick up a cajon to get some snares, but given my two week dalliance with the native american flute last summer (the girl hated the sound), I’m well it would be a frivolous purchase.

    If I was to buckle down and focus, I would think the banjo would be my primary instrument, but who knows when I will prioritize doing musical practice.

    I enjoy my music to be sure. Just not enough to be expert at any level.

    Maybe one day.

  • Jazz Roundup, Jan to Oct 2022

    With “Lucy and Linus”, my daughter got me back into jazz last Christmas on Spotify and youtube. It’s something I’ve always felt I should study, but I hadn’t gotten around to it over the decades.

    This kicked into high gear in October after discovering that the library’s Hoopla streaming app has a host of classic albums in their catalog. (And if an album isn’t on Hoopla, it’s almost certainly on the library’s other app Freegal).

    Now I can listen to the music without advertisements!

    I’m no good at listening to music, much less writing about it. But following my old tagline “notes on my consumption” here’s a write up.

    A Charlie Brown Christmas — The classic christmas album, Guaraldi riffs on old classics along with her favorite “Linus and Lucy”.

    From All Sides — My daughter got into this collaboration between Guaraldi and Bola Sete, especially “The Ballad of Pancho Villa”. I should give the album an active listen.

    Time Out — Brubeck was a favorite in college and this remains a classic. Brings me right back to studio when I wanted to feel cool.

    Time Further Out — I need to give the whole album it run. I was a dancer in a piece that included “Unsquare Dance” (and “Rabbit in Your Headlights”).

    Giant Steps — Grabbed me late one night and made see the light of Coltrane.

    Olé Coltrane — The use of spanish / arabic scales makes the music seem otherworldly. Spiritual.

    Parker With Strings — This isn’t the most representative introduction to Charlie Parker, but it’s his most popular album. I pushed past my dislike of sissy stuff to understand why. After a few listens, I was thrilled to hear him synchronize with his accompaniment while rising beyond as the soloist.

    Kind of Blue — Why is this the best selling jazz album of all time? Took a few listens for the music to groove into my brain. Miles Davis’ catalog is primarily on Freegal, which is less user friendly. It may be a moment before I get deeper into his oeuvre.

    Portrait in Jazz Parker got me to accept soft jazz, so I gave Bill Evans a run when I saw he was the pianist in Kind of Blue. Started with Portrait in Jazz because I initially found the live noise sounds of the other two albums slightly off putting. It didn’t click.

    Waltz for Debby, Sunday at the Village Vanguard — On the other hand, these albums hit. In just a couple of years, these three musicians melded organically into a comprehensive sound, sacrificing individualism for a unified totality. Though fate was much too cruel to take Scott LaFaro right after these Vanguard sessions.

    Ballads — Since Bill Evans cemented my appreciation of soft music, I thought I’d see how Coltrane does it. I don’t remember much.

    A Love Supreme — Time to listen to Coltrane’s other Magnum Opus. It is.

    Fiddler On The Roof — Loved the yellow cover with Cannonball Adderley, and gave it a whirl. Unmemorable. Would I enjoy it more, if I knew the original musical?

    Somethin’ Else — It feels dominated by Miles Davis’ trumpet even Adderley is the headliner. I wonder if some folks have that ineffable extra edge that dominates a stage, even when it’s not theirs.

    Way Out West — A unique trio with Sonny Rollins on saxophone accompanied by bass and drums. I dig the unique instrumentation, though the music was unmemorable after the cheeky first track.

    Brilliant Corners — I’ve always held that Straight No Chaser should be the soundtrack of the sophisticated high life. Time to listen to the album that landed Thelonious in the Library of Congress National Recording Registry Listing. I dig it. Lively. Monk showcases immense range. The cover is a perfect visual representation of the album’s music.

    Getz/Gilberto — Felt the urge for bossa nova over lunch so I borrowed this album. We argued about going to the park that day. Otherwise, very comfortable music. This Adam Neely video is a great breakdown of the “Girl from Ipanema”

    Jazz Impressions of Black Orpheus — It’s got memorable moments, but I’m still in thrall of the Bill Evans Trio borg-mind-meld, so the distinctness of the instruments in Vince Guaraldi Trio is slightly grating. But very nice once I get past my prejudice.

    The Black Messiah — I borrowed this after reading best-of lists of Cannonball Adderley. After a few listens I’ve gotten used to it, but I’m not ready for the 70’s (nor electricity).

  • Puppy Dog Pals (with Olivia) watch Toy Story 2, Lasseter, Branon, Unkrich, 1999.

    He finished his mask for Halloween.
    I cut the paper.
    He insisted that she draw and color.

    She drew more characters, taped to popsicle sticks.
    They held up their new friends so they could watch a movie.

    Later that night, he asked me to add a cat for their collection.
    She said it was the strangest drawing ever.

    ䷱䷴

    The movie was fun.
    Not an absolute classic like the first one, but still very good.
    It was ambitious of them to push into the wider world with more human characters.
    The Cleaner scene and the Jessie montage are top-notch.

  • Pui Pui Molcar, Tomoki Misato, 2021

    12 episodes (32 minutes) of fuzzy cutesiness in a surreal stop motion universe of guinea pig cars.
    (Humans are live actors inside their cars and plastic figures outside their vehicles.)

    It starts innocently with a few slice of life incidents before spinning into pure absurdity.
    As usual, I preferred the life around town more than the movie references.

    Then again, I love the absurd (more than the toddlers of its target audience).
    Screw it, I’ll take them all!
    Give me more!

    Like all great children’s shows, it’s written for both adults and children.
    By series end, the cars have distinct personalities, without saying a single word.

    The show is a testament to the expansive potential of shear creativity.

    It could be the cutest show you’ll ever watch!

    The world moves so quickly now. Asian shows took real effort to discover (much less watch) during college (I didn’t bother). Now this children’s show is distributed on the world’s largest streaming service, just a few months after airing in Japan.

    If you don’t have Netflix, check out the Misato’s vimeo account.

  • Rango, Gore Verbinski, 2011

    The film had the dubious honor of winning the Oscar Animation award the year that Pixar went for the cash grab called Cars 2.

    It’s an unfortunate slander against this movie, cause it’s awesome.

    The story is pretty typical American fare — Wild, Wacky, and Western!

    Breaking the fourth wall is a undoubtedly a gimmick, but nicely done.

    And the early 2010’s feels as good a marker as any of the time when 3D animation hit its stride. It’s a decade old but didn’t feel visually dated or technologically constrained.

    I should check out the other Oscar winners and nominees. That list would keep me quite busy for a while.

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    I don’t have any deep thoughts at the moment (or a year later) except to say I felt an urge to rewatch the film. Such an urge is uncommon for live action films, but Disney+ has shown that I enjoy repeat viewings of animated films.

  • Toy Story, Lasseter, 1995

    Wow the graphics have aged.
    Five minutes later, I was swept up in the story.

    The kids loved it too.

    My sister and I watched the VHS many times, a quarter century ago.
    Turns out that cutting edge graphics wasn’t the primary draw.

  • The Aristocats, Wolfgang Reitherman, 1970

    This show started with a content warning, maybe for a couple stereotypes that are bit distasteful in today’s sensitive era.

    I could see it being annoying but it seems overblown in today’s plethora of awful options on YouTube. To be honest, the Shang Chi’s lousy execution was more offensive to my Asian Asian American identity than ten seconds of a buck tooth Siamese Cat playing drums with chopsticks.

    Aside from the content warning at the start, this was one heck of a fun animation, Siamese and all!

    Like 101 Dalmations, it tells a fun short story with a few memorable scenes, especially the one of the alley cats (including Shun Gon the Siamese) are really wailing on the music.

    As I’ve gotten older, I’ve lost interest in challenging art. I might be able to handle half an hour of an avante garde jazz album while falling asleep, but movies and TV shows are too visceral. I can handle a little cringe, like that Siamese cat, but I don’t have the emotional wherewithal to focus on heavy stuff for 90 minutes (much less 10 hours!).

    I just want well crafted fare that doesn’t overstay its welcome.

    Turns out Disney+ was a godsend for me.

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    BTW I found Eva Gabor’s accent on the mother cat delightful, it made the movie feel properly European (if not exactly French). And Phil Harris’s all-American accent was perfect foil as Thomas O’Malley.

  • The Nightmare Before Christmas, Burton, Selick, Elfman, 1993

    A CEO experiences a midlife crisis and attempts a bungled corporate takeover before returning to his company to their core competencies

    (He also finds true love.)

    The kids loved it.

    Great visuals and we’ve been playing the soundtrack on repeat for the last three weeks.

  • 20th Century European Philosophy, Ed Casey, 2006

    Unfortunately, this experience matches my experience in the critical theory class in grad school. Interesting ideas that entered and immediately exited my brain.

    The ancients paid attention to how shall we live, but these modern philosophers were exploring the cutting edge esoteric problems of their discipline. The theories are stimulating, but it’s difficult to follow their intricacies in a cursory summary.

    In all, good enough to figure out that it’s not worth pursuing further.

    My philosophical interests are pedestrian. I lose interest once I see intellectual scaffolding under construction. I tried that hobby as a Calvinist teenager, but I’ve realized the beauty of Christianity is in the Beatitudes, not in its palaces of theology.

    Same here for the philosophers. I should return to Greeks, their squabbles are much more enticing.

  • Confucius, Lao Tzu, and Chinese Philosophy, Crispin Sartwell, 2006 and Confucianism & Taoism, Julia Ching, 2006

    I came across the Crispin’s philosophy book last year when showing my dad all the cool things you could find on Libby, the Overdrive Library app.

    It’s a quick listen as a 3 hour survey of Chinese philosophy from Confucius through the rise of the Neo-Confucianism, with sections on Daoism, Mohists, and Chan Buddhism.

    As for substance, unfortunately my knowledge of Chinese philosophy is at the perfectly wrong point to judge the value of this book. I’ve read just enough that none of the info is new to me so I can’t attest if it would be difficult for a true beginner. But I’m not an expert to have an opinion on its accuracy, aside from attesting that the information was in line with I’ve read elsewhere.

    The most notable aspect in the presentation was their use of voice actors with Asian accents when reading extended quotes. It was a little surprising at first but you get used to it quickly. It adds a variety to the proceedings.

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    In my recent omnivorous push to gobble up reader digest summaries of the ancient philosophers, I came across Ching’s survey of Confucianism and Taoism.

    Because the subject was about the broad religious traditions instead of the philosophers themselves, this book includes many comments from western observers over the centuries. It paints a richer picture of the thought and practice beyond the original conceptual ideals. (And yes, I enjoyed the mix of European and Asian accents in this presentation.)

    It’s a great pairing with Crispin’s philosophy survey. I’m more drawn to the philosophical side of these traditions, but I enjoyed seeing how they have developed in history and society.

    If you’re going to listen to one, I’d recommend that you listen to both.