GRIZZLY PEAR

written snapshots

Category: Notes

  • Alice in Wonderland, Geronimi, Jackson, Luske, Kinney, 1951

    Delightful musical with psychedelic imagery.
    The high def animation is a dream to watch on the big TV.

    But the pacing was a little slow.
    This seventy year old film doesn’t pander to my thrill-a-minute youtube cravings .
    (Breaking into song don’t work like it used to).

    But this is one of my favorite books and an excellent adaptation.
    A fitting start for our new Disney+ subscription.

    ䷕䷙

    I don’t know if it’s good to have such great TV experiences, but I’ll enjoy it while we continue to indulge.

    I’ll happily watch it again if the kids ask for it, but their catalog is so large that I’d be surprised if we repeat anything soon.

    And yes, we’ll be paying the Disney tax for a long, long time.

  • Book of Haikus (1956-1966), Jack Kerouac, published 2003

    Grain Elevators are tall trucks
     that let the road
    approach them

    I’ve always been a prose guy.
    (More Pentateuch than Psalms.)

    But I’ve always held the nag that I need to get into poetry (along with Jazz and Russian novels).

    This is as good a start as any.

    Short poems.
    Straight to the point.
    Haikus + Americana.

    I’ve tried writing some myself, when I started this blog.

    I bought this book around that time.
    But buying and reading are different things.
    So here I am, a decade later.

    Not sure if I grok poetry any better.
    That will be a matter of trying.
    Again and again.

    Reflected upsidedown
     in the sunset lake, pines,
    Pointing to infinity

    As for this book itself.
    Jack successfully taps into the vividness of Haiku.

    It’s a snapshot of mid-century America.
    Unfortunately it’s also a snapshot of Jack’s unraveling.

    I need to revisit this book in a few months.
    Maybe I’ll better enjoy the art when I’ve become inured to his sad story.

    Desk cluttered
     with mail—
    My mind is quiet

  • Eastern Philosophy for Beginners, James Powell, 2007

    At the turn of the century, there was a fad of cheeky comic books covering non-fiction subjects.

    This one uses a gimmick of the Caterpillar teaching Alice in Wonderland.
    This conceit works surprisingly well for a broad overview of Indian and East Asian thought.

    It is awkward to read such books as an advanced beginner.
    I’m not a bewildered neophyte, the intended audience.
    But I don’t know enough to judge the veracity of the work.

    However, it turned out to be a great moment to read this book.

    It’s tough to jump into a new subject.
    A pure beginner confronts too much information all at once.
    But every book embeds a bias, especially the basic ones.
    With a little familiarity, you can better converse with the author.
    So a student should (re)visit an introductory text after some study.

    I used this tactic when learning to bake bread.
    After reading every baking book at the library, I could discern implicit instructions.
    So I could mine the most basic cookbooks for their unwritten assumptions.

    The hard part is humbling myself to open an beginner’s book.
    Maybe that’s why I haven’t picked up a cookbook in years.

    ䷞䷬

    The graphics in this book haven’t aged well, but that wasn’t the point. These books were designed to be appetizing at the time of publication. Given the extent of the series, I’d say they worked.

    I got this book at the Spring Valley Friends of the Library bookstore along with several volumes. This is the first that I’ve read. I should get onto the rest of them.

  • The Tao is Silent, Raymond Smullyan, 1977

    A mathematician tackles this topsy-turvy religious philosophy.

    It’s a collection of 47 short essays that predate the blog-post book fad by three decades.

    Smullyan plays with multiple voices, draws from Chinese poets, and utilizes his training as a logician.

    His bemused detachment won’t convince a skeptic, but if you’re already digging Taoism then you’ll enjoy this book.

    ䷟䷉

    The book brings back memories of summer, visiting my cousin for two weeks, where I came across Smullyan’s Alice in Puzzleland at the Whittier Library.

    I should revisit this book to for a deeper dive, but I want to play jump into other subjects first.

  • Giant Steps, John Coltrane, 1960

    Last Christmas, my daughter became obsessed with Vince Guaraldi’s lyrical “Lucy and Linus”, which led to Brubeck and then Davis, Parker, and Coltrane.

    One night in January, I woke up at 2:44 and couldn’t fall back asleep.
    I listened to a podcast and watched a video about World War 2 aviation.
    Then, this album.

    My friend had just recommended this as one of Coltrane’s best.

    He’s right.

    Coltrane plays on a razor’s edge, running the line between melody and dissonance.
    The album starts fast, contradicts itself with crushing moments of slow quiet before returning to vigorous speed.
    The songs push a glorious cacophony, rescuing themselves with breathtaking audacity after extended flirtations with raw disintegration.

    I don’t know music well enough to write a proper critique, but I know myself.
    I rarely have patience for just listening to music.
    That night I did.
    All 37 minutes.

    It didn’t solve my insomnia.

    ䷍䷝

    Nine months later, we’ve been using youtube for our dinner music. This evening, the algorithm proposed Giant Steps and the boy picked it out. I was a little surprised, but I shouldn’t have been. Bartok’s “From a Diary of a Fly” has been his favorite for weeks.

    We listened to the entire album all as he buzzed around as a bee and jumped on the sofa. Kids go through phases pretty fast. I hope this phase sticks.

  • Koyaanisqatsi, Godfrey Reggio, Philip Glass, 1982

    Finally watched the movie.
    I’ve owned the DVD for years but never got around to it.

    Now we’re in the streaming era.
    Somehow the movie came up over dinner, and I pulled it up on Kanopy.

    It took a couple meals
    What a ride!

    A wordless journey of wilderness to modernity —
    A nostalgic modernity that is heading towards the half century mark.

    ䷉䷪

    Highly recommended. I’ll be checking out the sequel.

    Youtube has trained my mind to reject anything that isn’t a thrill a minute, so I was surprised that the methodical pace did not bother me.
    The monumental demolition of Pruitt-Igoe may have helped keep my attention from flagging in the middle.

    Of course, any mention of this movie must include a link to Gifaanisqatsi generator.

  • God Is Not One, Stephen Prothero, 2011 & How to Live a Good Life: A Guide to Choosing your Personal Philosophy, 2020

    Can you choose your religion?

    If you could, these two books would be a good start.

    God is Not One is a survey of eight world religions, their beliefs, practices, and varieties.
    Every religion asks different questions and finds divergent answers.
    For some, belief is not important, even if orthodoxy is primary in yours.
    Aspects of these religions might resonate, but each of them are distinct endeavors with varied goals and methods.

    How to Live a Good Life is a collection of essays by practitioners.
    The essays proselytize a little, but given the collection’s liberal bent these are a soft sells.
    The book offers a multitude of voices, but leave you to complete the comparison.

    The two pair well.
    A survey coupled with individual perspectives from the inside.

    ䷶䷾

    But I’m not sure you can choose your religion.
    Maybe you can modulate your level of devotion, but can you choose its object?

    “Give me a child till he is seven and I will show you the man.”
    After listening to these books, I’ve realized my roots are in Christianity, Confucianism, and Taoism.
    My parents are Christian, but our heritage is Chinese.
    They might have converted, but they couldn’t escape their milieu.
    Me too.

    I don’t believe in the literal claims of the Bible, but I spent my first twenty years in the good book.
    The prophets and the apostles molded my worldview.

    I came across Lao Tzu in my thirties, and only recently read Confucius.
    I didn’t expect to appreciate the stuffy Confucius or wacky Taoists.
    But unlike other philosophies (such as Epicurus) their writings just fit, like finding the perfect pair of sneakers.
    I see unwritten aspects of my upbringing with these dusty tomes.

    What next?
    Drill deeper.

    Maybe I’ll find a way to read the Bible that elides its cosmology.
    Or study moral order for this fragmented age.
    Shall I meditate around philosophical conundrums?

    Or maybe it will be something else altogether.
    Unplanned and predetermined.

  • MFKZ, Shojiro Nishimi, 2017

    Ribald.

    Silly.

    Stylish.

    They Live with cartoon gore.

    A decent way to burn an evening on Netflix, if you dig animation.

  • Day Shift, J. J. Perry, 2022

    Watched this last week.

    Just a popcorn flick, but fun enough for a Friday night.

    Paper thin characters and predictable plot, but cheap thrills with strong nostalgia vibes between the music and wide shots of LA.

    They’re courteous enough to avoid cliffhangers, but they drop enough nuggets to justify a sequel.

    I’d watch it.

    ䷘䷬

    I heard about Day Shift from to this Netflix sponsored Corridor Crew youtube episode on stunt-driving. It was the most interesting thing that came out the movie.

  • A Letter to Momo, Hiroyuki Okiura, 2011

    After watching the brutal classic Jin Roh, I wanted to watch Okiura’s other other full length film.

    It’s a good film, but not original. It follows the standard Ghibli template, especially My Neighbor Totoro. It has a strong girl protagonist, quirky world, idyllic Japanese country setting, and climaxes with a family emergency.

    Even if formulaic, we had fun. The kids needed a moment in acclimating to the methodical pacing of anime, but they enjoyed it as well.

    My only critique of the film is the rendering of Momo’s mother. She looked so young, it always felt like she was Momo’s older sister, which was distracting throughout the movie.

    If the kids ask for it, I’d watch it again. The backgrounds are gorgeously rendered and the ghosts are funny. It scratches the Ghibli itch without paying for to HBO Max. A Letter to Momo is more enjoyable than Ghibli’s recent offerings, but it doesn’t reach the perfection of their classics.