GRIZZLY PEAR

written snapshots

Category: Notes

  • 2023 Retrospective & 2024 Prospective

    I’m trying a new format where I just comment on things with three bullet points. Hopefully it will help me blow through the backlog of old blog drafts. Thought I’d try it out by looking at the year in review and the year to come.

    But you must read Andrei Atanasov’s No. 26 – Dancing In A Supermarket first! I don’t care if you make it back.

    ,
     

    2023

    My theme this year was “catching up”. I feel like I did just OK with the theme, but the more that I think about it, it was an eventful year as we started re-integrated back into society despite our pandemic caution.

    Highlights

    • Buying a House
    • Visiting San Diego (twice!)
    • Two great architects joined the Division

    Hobbies

    • Reading — Homer and Tarot
    • Substack — finding fellow wanderers on Notes
    • Fountain Pens — Sketching and Calligraphy

    Lowlights

    • Getting the house ready for move-in, renovations are still miserable.
    • Didn’t exercise nor eat well enough, gained weight.
    • Distractions, unfocused focused, especially the second half of this year.

    ,
     

    a year
    a life
    goodbye
    tomorrow
    smiles and
    sorrow
    hello

    When calligraphing, I have to be completely focused. This morning I chose John Coltrane’s Giant Steps instead of the usual Chicken and Dumplin’s by Bobby Timmons. That slight change was enough to add an extra O to the page. Fortunately, the early mistake kept me ultra-concentrated for the rest of the exercise.

    It’s been twenty years since hand drafting at the ground floor of Ron Bogley’s house. Small residential doesn’t pay well, but it was the most fun I’ve had as an architect. Graphite on vellum is a lot more forgiving so I would listen to the baseball games as I lettered.

    ,

    2024

    My theme for next year is “settling in”. For the new house and everywhere else. The first half of the year will be a mess between the house and the biennial cycle for my government job. Hopefully the second half will be a time of customizing the home to fit our needs, it’s been a decade of always thinking we’re moving soon.

    Settling In

    • At the new House
    • Returning to the Office (again)
    • Digital Places and Processes

    Practices

    • Sketching and Calligraphy
    • Exercising
    • Reading my repeating “little library” and pushing forward on the classics

    Tiny Targets (and goals)

    • Three deep breaths on a yoga mat every morning. (I’d love to do the 8 Brocades three times a week, but I’ll start tiny.)
    • Sit down and say a small mantra before eating anything, including snacks. (The big goal is to lose a couple of pounds a month, but the numerical goal failed spectacularly last year. Maybe instilling a mindfulness practice is the first step in the process.)
    • Do something with a pen every morning (It would be nice to finish my OPM Letters and clear out my pile of read books to be blogged.)

    ,
     

    new book
    new year
    new month
    new week
    new day
    Foundational Hand
    new font 

    I wrote this on 12/26 with a new-to-me font from The Art of Calligraphy by David Harris. I messed up the word order on the last line (working from bottom up) and kept it for the rest of the poem. But it sounds wrong so I went back to the original wording in the light blue scribbles.

    I’m not sure if I will stick with Foundational Hand for a long period (as I did with Uncial) but I’ll give it at least a week before exploring other fonts.

    This morning habit of writing a tiny poem for calligraphy practice has a highlight of this season to close out the year. Thanks to Beth Kempton and Nadia Gerassimenko for catalyzing the #tinypoem project! I just got Mary Oliver’s A Poetry Handbook — hopefully her wisdom will help me write gooder before I start publishing them in earnest.

    On to another 366 days of discovery in 2024!

    !

  • Rhodia Reverse Book (80 sheets, dot grid, 8.3″x8.3″, 80g paper, wire bound)

    This summer I rediscovered fountain pens.

    A month later, I had to get better paper. Cheap steno pads are great for work, but they don’t show inks at their finest.

    Hedonic treadmill!

    Rhodia paper is great (as advertised!) Love the smooth buttery slide. The colors pop. They shade.

    Every morning I’d draw a hand in this book. (Whoa! Minus ten pages of doodles, that means I have about a hundred fifty hands in here!)

    I barely used the dots. If given a choice I’d go blank. (Then again, it was nice to have guides for the few times I played with calligraphy.)

    Absolutely love the square. I don’t have to compose a sketch for the rectangle. 1:1 simplifies the mind before pen strikes paper.

    But I’m not tossing out the other sketchbooks. I’m far too cheap to abandon unused paper.

    In the meantime, I hope Rhodia keeps making these Reverse Books. (I’ll be back.)
     

    It’s been a good year for my hand. With the new fountain pen habit, I’ve started a morning journal / sketching / calligraphy practice. And worked through several small notebooks (random product show gifts) at the dinner table. I’m slowly getting over my old hangups about sketching.

    Much as I hate to admit it, social media+consumerism sometimes hits the spot.
     


    Postscript — I restarted my Blick 5.5″ x8.5″ sketchbook with this note:

    Christmas 2023 Restarting a new-old notebook & drying up old pens. I wonder what will show up on these pages? What will be discerned in manipulating pen & ink on paper — privileges unthinkable to our ancestors of previous generations. When paper was a fucking trade secret. In a fraught time — we still owe the world our art. To much has been given — lets return this gift to the present (and maybe the future too.)

     

  • A few Christmas Albums

    A couple of years ago, the girl fell in love with Lucy and Linus, starting a search for Christmas jazz albums. Here’s what we’ve found on Hoopla:

    Ella wishes you a Swinging Christmas, Ella Fitzgerald — She specifically requested it the day after Thanksgiving, so you know it’s good! What a gorgeous voice.

    Holiday Soul, Bobby Timmons — This instrumental album holds its own beyond Christmas. Bobby Timmons is an amazing pianist, obscured due to his early death. For non-Christmas fare check out Chicken & Dumplin’s and Chun-King on youtube.

    A Charlie Brown Christmas, Vince Guaraldi Trio — This album kicked off our jazz kick at home and is still great. Actually, I wonder if this album is why my current personal jazz preferences leans towards trios.

    If you want crooners, here’s a few albums by Bing Crosby, Frank Sinatra, and Gene Autry.

    And for Christmas-adjacent jazz, I gotta add John Coltrane’s My Favorite Things.

    Happy December and an early Merry Christmas!

  • Big Numbers!

    Let’s start with the biggest and most important numbers: 1,501 posts and 5,663 days.

    Everything starts with the work. Do it. Do it again. And again.

    But that’s boring, and let’s be real — I’m not banging out an analysis of “5663”.

    Like many writers, I check the dashboard every few days and was pleasantly surprised to see that I had finally crossed the 100 subscriber mark on Substack!

    Whoohoo! But this screenshot only tells the last 3.8% of the story. Here’s the rest of it.

    I started Grizzlypear.com in June of 2008 with two readers — me and my dad. (My girlfriend, now wife, never reads my ramblings cause she gets plenty in real time.)

    Thirteen years later, I still had two readers. I would occasionally try to increase visibility to no avail, aside from Facebook spamming me to pay for a boost to the most recent post.

    In mid-2021, I started an industry related newsletter. Even though the effort fizzled out in a few months, the effort got me onto Mailchimp with ten more ten readers, including my mom and sister, friends and three folks I’ve never met IRL!

    About a year ago, I joined Post where I met a great crowd but after they slow-walked critical features, I jumped to Notes this April along with seven fellow travelers.

    For the first few months I posted daily and grew steadily. Then September got crazy so I dropped down to a weekly schedule and growth slowed. So here is how I got to 113 readers:

    What do I make of it all?

    I’m an early 21st century anachronism with a personal blog. I entered that scene as it was being strangled by Social Media™, but I kept my site because I loved having my own home on the internet.

    However, if you wanna grow, you gotta do what Zig Ziglar advises “You can get anything you want if you help enough people get what they want.” Or if you forgo the self help business, then be “so good that they can’t ignore you” (as quipped by Steve Martin).

    These fifteen years of blogging taught me that it’s OK to just enjoy a hobby. I have a great job. I don’t need an audience to serve. I’m allowed to be a dilettante, exploring the arts without the discipline or patience to become great at anything.

    I might be a disappointment to Zig and Steve, but I’ve had fun archiving these meanderings (board games, business books, sourdough bread, sketches, poetry, calligraphy) for future reference.

    And then Substack swooped in to distribute this work and connect into a network of creatives. Notes is a great place to keep me inspired and challenged. So here we are, with this email slamming into a hundred inboxes!

    Yes, this is just number, but it’s cool — three digits of cool! After more than a decade of silence, it’s gratifying to know people want to see my next letter. And it’s nice to get feedback. (Dopamine!)

    Would I be bummed if the count slides back down? Of course, I’m human. But it is just a number. If my interests go weird, I wouldn’t want to force y’all to follow along. I’ll keep writing cause this is my practice.

    Blogging is a good practice. The world might not need your input, but you need your input. Writing publicly forces us to look carefully and to process the richness that surrounds us. Write what you see, and your soul comes into focus.

    Do it long enough and you’ll find a few folks to accompany the journey.

    Jump in! Five thousand days later, you might stumble upon a goldmine of email addresses!

  • Journal Notes (11/20, 11/23, 11/26)

    11/26
    Part of our role as parents is to make the kids uncomfortable.
    They don’t enjoy it, but we can’t let them settle into a bad local optima.
    (that afternoon, we took the training wheels off his bike)

    11/23
    Life is funny, it takes you places.
    I play a part by going along.
    But I tend towards the passive.
    Most likely comes from my mom.

    11/20
    I write lists.
    Making tasks visible lets me manipulate them.
    Maybe even cross shit without doing them
    (because I realize they’re unimportant).
    I do love my lists.
    Be careful about procrastinating by list.
    Do the work!

  • Post to Substack

    This time last year, there was a magical moment on Post.news as people escaped the chaos of the recently acquired Twitter.

    It was a wonderful holiday season as we enjoyed and explored each others’ art. I rediscovered my drawing hand, which had atrophied from decades of fear. They encouraged me to keep exploring poetry. Post freed me to make bad art, which might not sound special, but it’s eons ahead of doing nothing.

    I’m not sure what went wrong (maybe their focus on news and opinion?) but the magic dissipated in the early months of the new year. I miss those folks, but most of them have also moved on, and I don’t have time to be online everywhere.

    Fortunately Substack stepped in to fill the void. This community has been generous with encouragement and relentlessly inspiring with the endless publishing of amazing work. It’s a place to stretch and play.

    When I joined Post last Thanksgiving, I took a photo of our freshly reinstalled Christmas tree to be the banner image of my user account (it’s still there). This morning, that tree is back up as we enter into another holiday season.

    What will the new year bring? Who knows. Maybe I’ll actually bang out some good art. Whatever’s. I’ll settle for sharing more bad art. A second year of making would be an accomplishment in this topsy-turvy world.

    In the meantime, thanks for the company; let’s hope this party lasts a bit longer.

  • Why I write (and publish)

    1. So I don’t forget. To crystalize a moment.
    2. It sharpens my thinking. Writing squeezes out the slop in a stray notion.
    3. Sharing for the future. My work isn’t best-in-class, but it’s not worthless. A future reader might find threads of silver amongst the dross. That person might be me.
    4. To get better at writing. Posting publicly hones the craft. Leveling up can be its own joy (and help with work emails and memos.)
    5. For the company, to be part of a conversation and contribute to the zeitgeist. It’s fun to get responses and comments.

    Blogging is an exercise of whispering into the hurricane. My practice is more about self improvement than broadcasting. The reception of others are a fickle shadow. The privilege is in doing work.

    In the moment it isn’t easy fun like watching a video, but I find a deeper joy through all parts of the process, drafting, editing, posting. Why else would I do this for fifteen years?

    ~231109

  • Five Pens

    If I had to start over, here are the pens I’d get in order.

    1. Pilot Kakuno, Extra Fine
    2. Pilot Parallel, 3.8mm
    3. FPR Muft, Ultraflex nib
    4. Sailor Fude De Mannen, 40 degrees
    5. FPR Muft, Architect Nib

    Notes:

    1. I love the smiley face on the nib. Just need to get a Kaweco Sport clip for my shirt pocket. The Kakuno beat out the Platinum Preppy because of cartridge compatibility with the Parallel if I was to take them both on the road. The Japanese Extra Fine nib takes the top slot because it’s perfect for everyday carry and sketching.
    2. The Parallel is in a Pilot Sign Pen Body and has been used as an eyedropper at home for months without leaks, but I’d use a cartridge if I was traveling (just to be safe).
    3. The FPR Muft had been perfect at home (love the clear eyedropper body) but leaked on the road. I’m curious about the Osprey Madison with a Zebra G nib, but worried about rust. If the road-ability is important I could just use the ultraflex in my FPR Guru (a piston filling pen that didn’t leak when we went on a trip in summer).
    4. The Fude is screwed in a Sailor Compass body. Even though it’s clear, it isn’t eyedropper convertible without epoxy to plug up the body. I like the 40 degree nib slightly better than the 55 degree nib but I’m exploring other Fude Pens, so this may change.
    5. This Architect nib lays a beautiful bold line that goes skinny on a dime. And yes, it’s great for architectural lettering.
  • Journal Notes (11/5, 11/6)

    I’m still trying to figure out what to do with my morning pages. Or even whether to bother.

    It’s good to just blather. Get shit off my chest like the day after 10/7. Maybe it’s self therapy? And there’s always the ubiquitous Things To Do list.

    But sometimes it’s a chore to hit three pages. So I just shoot for two. The first flip between the first and second pages is a great mind wipe, but I feel like I’m just burning ink and killing trees to fill up page three.

    Julia Cameron says you shouldn’t package the journal for public consumption, but I’ve started roughing out blog posts some mornings. And the last couple of days I jotted some half-baked thoughts that want to be recorded somewhere.


    Expectation is the thief of joy.

    Not a new concept, just a variation of the Buddhist origin of suffering. My personal insight is that comparison and optimization are also expectations (against others and an idealized perfect). These are all bandits against internal peace.


    With work and home being so hectic, I need to be more present with the kids. I’m trying out a new pair of personal rules. Our parents never had to wrestle against the allure of a pocket computer.

    1. No Youtube when they’re awake!
    2. Leave the phone upstairs (in the home office)

    This also applies to life in general. I need to reduce stream of outside words being implanted into my brain. More jazz, less podcasts.


    What is the difference between Craft and Connoisseurship?

    Both entail a dissatisfaction with the status quo. But Connoisseurship is unhappiness with others, while Craft is the continual striving for personal improvement. Maybe that’s why I value Craft as a practice while being suspicious of Connoisseurship as a sneaky form of optimization.


    Making is an act of faith.

    Faith that something “good” will pop out. Or that I’ll learn something for next time.

  • Alphabet Magic (2022-2023)

    Last week, I uploaded the letter “Z” of Alphabet Magic, pairing photos of everyday life with sketches of my hand forming the ASL manual alphabet.

    Just another post, but I couldn’t let it pass without comment.

    I took more art studios than architecture studios in college, but stopped drawing over the past two decades; constipated with perfection. After turning forty, I eliminated drawing from of my list of future projects (along with reading Chinese and the Guan Dao kung fu form).

    Then Post came online last year. I wanted to help make the place that I wanted to see, so this alphabet series was my contribution. The winter of 2022-2023 was a magical season when quirky artists came together for a mass experiment. (Much as Substack has become a beautiful writer’s oasis).

    When it became clear Post management was focused on news and opinion, I hopped over to Substack and turned the drawings into a formal series, pairing it with my contributions to Charlene Storey’s weekly thread of “everyday magic”.

    Twenty-six weeks later I’ve posted half a year of hands and magic.

    So what next? Well I have plenty more hands. After joining Substack, Wendy MacNaughton hosted a 30 day sketching challenge around the same time Ashlyn Ashantee got me really into fountain pens. So I kept drawing with hatching and new wacky nibs.

    Next week, I’ll start the second series, with a bit more variety, still with a pop of everyday magic, but with less alliterative titles. Maybe I’ll throw in the occasional calligraphy experiment and zine (inspired by a conversation with d.w. and John Ward on Notes).

    In home, school, or work, I’ve learned that projects start with promise, grind through midlife, and shutter with little fanfare. But I’ve also learned that the anticipation of triumph will eventually realized in retrospect long after the moment has faded.

    As I mature, I’m slowly embracing the process. It’s a privilege to draw. It’s a privilege to do anything beyond the bare necessities. It’s a privilege to share — thanks for reading!

    The results are up to the fickle gods, but we can always exhilarate in the chase.