GRIZZLY PEAR

written snapshots

Category: Poetries

  • Callivember24, Week 2

    I stole the boy’s watercolor set after reading Modern Calligraphy by Molly Suber Thorpe. I fear that I’ve now exhausted all the easily accessible toys. The hard part will be sticking to the practice long enough to get decent with each of these mediums.

    ,

    11/7

    clarity
    lies on a spectrum

    I discovered scratchiness with this exercise. I realized that I can run the ruling pen multiple times to over the same letter for a frenetic quality and I played with the angle of my Parallel to get the splatters.

    One morning, I also messed with Clarity in a notebook using basic fountain pens. As always, it took multiple tries to get “right”.

    ,

    11/8

    cradle the infinite five words

    After multiple attempts, I gave it one last go on my first initial test sheet. It’s a nice return to my early technique of layering poem drafts for visual texture on the page. I borrowed this method from the great architect Carlo Scarpa and I always wonder why it isn’t used in more art.

    ,

    11/9

    glow up
    more cowbell

    His crayola’s are now mine!

    These images are slightly deceptive. I pushed the saturation and lightness of the scans to achieve the fluorescent effect. I haven’t gone this hard with the digital manipulation before, and I hope it doesn’t become a regular practice. But if it looks right on the screen, then I gotta respect the actual medium of communication.

    ,

    11/10

    breathe
    slowly
    manifest
    supreme
    fluidity

    After testing a few scripts I settled on this composition. It was fine but lacking. On the day of the upload, I saw several folks use the liquidity of ink to add texture to their compositions. My first tests were way overboard, but I salvaged one by rewriting the words. The sweeping brush stroke worked out nicely as well.

    ,

    11/11

    make
    pretty
    on
    a
    leaf

    A simple composition, inspired by a book of flourishes by Arthur Baker, drunk Taoists in the forest, and recent art by Ann Collins.

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    11/12

    wholeness
    is
    not
    just
    collecting

    Over these twO mOnths, I’ve fOund that is that big O’s are sOOOO enticing!

    ,

    These six weeks have really pushed my range, but at the cost of practice. In the few days between Inktober and Callivember, my Copperplate progressed quickly but stalled out once I started producing daily pieces again. It’s time to tackle one skill at a time.

    Practice is a balancing act between expanding the field and focusing intently. But more important than the specific, it’s most important to keep working! With infinite games, you always winning if you’re still playing.

    Cya next week!

    ,

    PS—This came on an early morning commute as I watched the sun rise above a crescent moon. Pair it with a fortuitous drawing and here you go (after several other attempts).

    10/31—Inktober52, week 37

    chase the golden crescent sun

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  • Callivember24, Week 1

    We’re now into #callivember! Things are slightly less stressful because I’ve learned how to handle these daily challenges, but there’s no super-easy button for publishing once a day (thoughts and prayers for newspaper cartoonists!).

    ,

    11/1

    flow
    feeds on quiet practice

    It’s wild when an sketch plays out like the concept. Of course it’s not that easy. This took multiple attempts (beyond these examples) and chewed up half a day. Still super happy with how it played out, worth the brush that was ruined in applying the mastic.

    ,

    in one transformation the universe

    Sometimes it just falls into place. I started with a totally different concept that quickly slipped into this composition. I didn’t even have to tweak the 5WP. Magic happens on the desk.

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    11/3

    golden ratio
    my big fart

    Like many, I am enchanted by the mathematical and geometric properties of the golden ratio. However, I’ve always been skeptical about its mystical power in design.

    ,

    11/4

    expressive
    words depend upon contrast

    I went counter on this word too.

    ,

    11/5

    each
    beat
    the
    next
    rebirth

    My original concept was the upper version with alternating lines. It came out fine but I often take additional shots to see if I can execute better. As I started the second word on the next one, I made a mistake with the line spacing. Rolled with it and changed the composition.

    ,

    11/6

    geometric
    journey to delights uncharted

    I used ruling pen again for “real” drafting (with the corner of the Parallel for the flourishes). I don’t think either set of flourishes came out great but didn’t have the energy to set up another sheet. On intensive pieces like this, I make progress prints to practice the final touches, but it’s never the same on the real, final gamble.

    As aggravating as it can be, such moments are a thrilling part of calligraphy. This art has room to grind (see all the messy compositions), but it also includes the adrenaline rush of a performance, as the ink kisses the paper.

    ,

    It’s been fun to follow other word artists on Callivember, all wrestling with the same prompt every day. This is totally worth risk of being on Instagram. Digital platforms are power tools. They can foster powerful connections and will totally mess you up when used carelessly.

    I don’t like being competitive, but such sentiments are unavoidable with numbers in social media. The most fashionable gets all the attention, and the algorithm nudges the rest of us towards envy. Fortunately, the Callivember cohort is much smaller than Inktober. I’m nowhere near the upper tier but am now comfortably in the middle class. Shrink the field and they have less fodder to feed my insecurities!

    Cya next week!

    ,

    PS: An airport manager gave us tickets to HallOVeen at Opportunity Village. We drew up this thank you card. It’s fun to get this calligraphy into the wild.

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  • On elections and making art

    Bad result, go make art!

    I get why this statement is so obnoxious. Shit happens and just advise folks to move on? Is this the content creator’s version of hustle culture? How do you say #privilege with anything more trite?

    Let me try to defend the sentiment with three tangents.

    1. What else should we do? Making art is unequivocally better than doom-scrolling (or gloat-trolling). This world hasn’t actually changed today—a guy just won a four-year lease on a building at the edge of a continent. You’re not that dude. If you should’ve been making art on Monday then you should make art on Wednesday too.
    2. In a world of competing truths, I hope you believe there is something special with your truth. Make art that lives in this truth and let us partake through your art.
    3. Most importantly, making art shifts your world. It might not be a direct path to enlightenment like reading Spinoza, but if you aren’t meditating under a waterfall, then mashing marks on paper is a fine way to exploring the truth.

    By all means, be human. Feel the dread (or elation). Curse the gods. Then hug the kids and guinea pig. Shit, shower, and shave. And get to work. We need you to make it.

    ,

    11/8—Inktober 52, week 45

    polar
    spinning
    round
    and
    round

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  • Inktober24, Week 5

    This week started chill because I finished Inktober the previous Sunday. Without pressure to produce, I practiced Copperplate script. But on Wednesday, I found out about #Callivember. Practice on pause, back on challenge!

    ,

    10/26

    camera
    frozen wisps
    amber waves

    The lower 5WP with the ruling pen (used as a drafting tool!) was so different from previous pieces that I uploaded it to IG. But I’m also fond of the upper drawing’s nod to the lens aperture. It’s rare when one concept falls into place, much less two!

    ,

    10/27

    five words for the road

    The “driving scene on Peppa Pig” concept landed quickly, but it took a few attempts to get right. Like architecture, each decision leads to more choices. The small details and the big concept are all interconnected. And then execution. Everything can be refined. More! More! More! Then you run out of time.

    ,

    10/28

    jumbo jet
    crossing Orion’s belt

    After omitting 75% of “road”, I took the next step and dropped the theme word altogether. I posted the jumbo-er “JET” on IG, but the lower version feels better composed. Maybe I need to try an extreme crop on the top version.

    Before, I might soothe myself by planning to return to the these files. But time is much more expensive after kids, and I’d rather take a shot at a new composition. Oh well.

    In architecture you also learn to live with the mantra “on to the next one”.

    ,

    10/29

    lost
    in
    circles
    missing
    navigator

    I planned on a series of random overlapping circles, but concentric rings were just too friggin’ awesome. Take the win and run.

    This piece also crystalized a nascent realization that readability is only one criteria among many for calligraphy.

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    10/30

    a duet between
    two violins

    I really liked the font on the top drawing, but the lower one felt properly confrontational, thus getting the IG nod. The wording on this poem changed quite a bit as I worked on the composition for the visual pun. So I’m annoyed that I chickened out at the last letter and didn’t re-word it all the way to “duel”.

    ,

    10/31

    landmark
    thirty-one
    days of glyphs

    Apologies for indulging in three versions of the the same image. The top two backgrounds were drawn by the boy last week while messing around on my desk. The bottom one was from Easter 2023, maybe the 2022.

    And yes, this was inspired by Baskin Robbin’s old logo, even though I’ve never been there. They should have stuck to this classic 1991 BR logo. I understand why they updated away the original overtly western vibe, but the latest versions muddy the identity without injecting any new energy to the brand.

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    Inktober52, Week 39

    glove stuffed with seven fingers

    Before finding out about Callivember, I started to work on the backlog of old prompts from “Inktober52”, a weekly challenge to encourage folks to keep drawing outside of October. This one timed nicely as a slightly horrific 5 word flash fiction for Halloween.

    ,

    This closing section should have been reflections from completing #Inktober. Instead, I spent the weekend getting ahead on #Callivember to minimize the pressure during the workweek.

    But the first month’s experience has been helpful. I’m tired, but now that I have a good rhythm, so I’m less stressed than two weeks ago. I doubt I’ll embark on a full 2-month challenge next year, but I feel comfortable with this year’s choice to keep going.

    I’ve been lucky that fun ideas keep showing up with each prompt. The poem kickstarts the brain. Then the hand inserts feedback as ink hits the paper. And viola! something shows up, one or four hours later. Hopefully, my skill will increase next year so that I won’t have as many failed sheets for each word.

    But hey, it should be about the process! So hopefully y’all enjoy the images, but selfishly, I’m #winning cause get to wander this journey.

    Cya next week!

    ,

    PS. This is my first practice page of the basic strokes for Copperplate over the week. It was nice to focus on not-producing for a few days.

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    PPS—We finally made Jack-o’-lanterns, lit with cell phones.

    11/3 — Pikachu-tree and Umbrion-ghost

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  • Inktober24, week 3

    I kept pushing the graphics this week, to the point of dropping letters and even a word. I enjoy the visual puns, but this pace is not sustainable. Then again, we’re two-thirds through, so maybe I’ll just rest in November.

    ,

    10/13

    horizon
    beyond
    horizon
    beyond
    horizon

    This was a frustrating composition. None of the various schemes felt right. I eventually settled on this because I ran out of time.

    After posting this composition, I read Alan Furber’s short book Layout and Design for Calligraphers. It’s absolute gold. It energized the practice for the rest of this week. Total recommend, especially since it’s cheap on the used market.

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    10/14

    range
    rove
    ramble
    go
    roam

    I thought the Furber book would lead me to simpler compositions to execute, which was an accurate prediction for two days.

    ,

    10/15

    the
    guidebook
    ate
    our
    dog

    I started with the trope “the dog ate…” but the page hinted at this vastly better poem.

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    10/16

    greasy
    groggy
    gritty
    grungy
    grainy

    I made a couple mistakes on the first version, which was corrected with black ink. While doing that, I realized that the red “gr” and “y” were unnecessary. A fortuitous mistake that led to the second version.

    I used a ruling pen for GRUNGY. I’ve had one for years as part of a compass set, but had no idea what it did. With YouTube and Instagram, I am now cognizant of its capabilities but completely unable to write the lovely flowing script highlighted in those videos. Something to study after Inktober.

    ,

    10/17
    10/17

    journal
    recenter
    remind
    reframe
    relive

    Between the two options, I made twenty-two attempts (and more if you include unfinished failures). I’m happy enough with both schemes, though neither one matches what they could have been. It’s the Ira Glass notion about the gap between your taste and your skill.

    For the vertical “journal” I quickly learned Neuland to contrast against the main text. Funny how calligraphy betrays uncertainty and rawness, even in the most blocky forms. (BTW it was wicked tough to avoid spelling errors when writing backwards and skipping a letter in each word).

    Both of these final images came from early attempts. Even so, I wouldn’t say that those four hours were spent in vain. Sometimes you have to go overboard to realize the limitations of your skill.

    ,

    10/18

    drive
    through
    fear
    glee
    toil

    These also took a ridiculous number of attempts to get “right”. Even then, I had to digitally edit the top version (shifting the page) and bottom version (correcting a mistake on “toil”).

    It was fun to work in big caps using the 1 inch brush. But always nerve wracking to invest time on a page for a risky blowup on the final last loose word.

    “DRIVE” is written with an informal version of my architectural lettering. I would be more tight on drawing sheets, but would use this hand when writing thank you notes after an interview (to remind prospective employers that I was a legit hand draftsman). Beyond that, I also drew guidelines on the sheets, instead of using my printed AutoCAD templates over a lightbox. This exercise was a nice throwback to the old days.

    And I finally used the ruling pen as intended—to make thin straight lines!

    ,

    along the
    ridge
    of moons

    along this blue ridge crescent
     

    numbers line along a
    ridge

    This poem was an image first—a flowing script with a counterpoint of small text. I then burnt through sheets of paper trying to write a decent “ridge”, eventually settling on a pointed brush. Kill enough trees and you’ll eventually stumble into a few decent options.

    After that, the 5WP’s were informed by the placement and execution of each “ridge” on the page. There are six other 5WP’s that aren’t shown, along with twenty+ sheets of now-scrap paper. I wonder how many IG postings by other folks are also from their thirtieth shot. Part of the anxiety of that place must stem from the seductive assumption that everyone else is sharing their single-shot perfection while I clumsily stumble through my endeavor.

    ,

    I don’t have many deep thoughts on this week, aside from being tired.

    Social media comes with the pressure to constantly to beat your previous best. That dynamic might be beneficial for a month-long push, but it must grind artists down over the long haul, especially with the casino gamification of the algorithm.

    I’m not sure how artists can sustain a long term career, then again we’ve had the starving artist trope in our society long before Zuckerberg and OpenAI ate the internet.

    Thoughts and prayers to all the real ones out there.

    Cya next week!

    ,

    Last weekend, the boy asked me to script this up. We’re no 2nd Amendment family, and we barely watch TV. When I asked him how he came up of the original sentence, he quickly added an adjective.

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  • Inktober24, week 2

    I went hard on the brushes this week. I suspect this week will be the creative apex of this challenge. I’ve enjoyed pushing things to the limit, but it takes a lot of time and Halloween is looming!

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    10/6

    worlds hiding
    trek
    inside pages

    Super-graphics look cool, but they are hard! Not only are they big, they have to be right. Then again, the misses create a lot of scrap sheets for extra practice.

    ,

    10/7

    sparrows
    fly without a
    passport

    I pondered this poem while hiking the arroyo. Getting into nature is one of the best ways to focus on an interesting problem (beyond the mundane distractions of daily life).

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    10/8

    brain walk your soul
    hike

    Again, super-graphics are hard! I took ten shots to get something that worked. I got lucky that this sheet had a thin layer of crayon, giving “hike” a beautiful shimmer. This one also introduces my normal handwriting, even if it’s lost in the noise.

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    10/9

    why does the sun sleep?

    I tried a few arrangements with this one, and started testing them all this one sheet. Eventually it became the (non)answer.

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    10/10

    nomadic
    galaxies
    herding
    wayward
    nebulas

    I came up with this poem with similar sized words and then flailed for a composition. On one shot, I used an oversized brush to make the pink layer. That was pretty good, but it didn’t hold it’s own. So I scanned and printed a few copies to experiment with a second layer. It was nice to come up with a good solution, but I still had to execute. Writing the blue layer was the most stressful thing I did all week. If I made a mistake, I’d be ruining two attempts at once.

    I imagine such exercises will get easier after acclimating to this script (as opposed to creating it an hour before completing the image).

    ,

    10/11

    he yowled
    daddy
    stole
    snacks

    Speaking of ruining a composition on the last word. I messed up the “y” on yowled but was too burnt out from yesterday to try more than a few attempts. November’s project will learning copperplate and writing with a sharp nib—proper cursive is a black hole in my game and there are enough youtube and instagram videos that prove it’s doable for lefties.

    ,

    10/12

    remote
    is your next minute

    Its nice to just do a simple composition. It helps that I’m now good enough with the brush to easily repeat a word. In this case, I had already completed a decent composition, which erased all the stress. So I just played, trying slightly different arrangements and landing on that script that I learned a few days with “nomadic”.

    ,

    Two weeks into Instagram, it’s a mixed bag. Discovery is awesome. One can feed any interested with an endless supply of images by following hashtags. But the algorithm is capricious (for an addictive slot machine dynamic), creating psychological tension.

    There is an implicit pressure to compare oneself against the best. That’s a ridiculous notion. An amateur would be wise to reference the greats, but the flattening effect of social media creates a mirror of self comparison against those who have dedicated their lives to the craft.

    So I must constantly remind myself that the goal is to make images that I’m curious to see, not to enter a popularity contest of algorithmic work. Even more fundamentally, the doing is the prize, everything else (even that image) is a bonus.

    Cya next week!

    ,

    My daughter joined in for Trek, this time with Procreate. Hopefully she’ll draw more, preferably physical but I’ll be happy however she wants to create.

    .

  • Inktober24, week 1

    This year, I’m doing the Inktober Challenge, which includes a daily word prompt. Instead of waiting a month to compile all of my entries, I’ll share them a week at a time, with a little commentary to accompany each 5 Word Poem.

    9/29, 9/30

    dancing
    letter
    poems
    Inktober
    incoming
                                hi!

     
    The weekend before the challenge, I learned Textura Prescisus to have a script that contrasts strongly against scripts. I then wrote this 5WP to mark my the arsenal on the eve of the event.

    It had been a struggle over two months to learn twisting the nib for both Foundational Hand and Celtic Half-Uncial because they move the pen differently from each other. To my surprise, that painful skill building set me up to learn Textura Prescisus in a flash. I learned it so quickly, that I picked up Chancery Cursive (hi!) the morning after.

    That said, these new scripts betray an uncertainty in the hand, but only time and practice will fix those lines.

    ,

    10/1

    proudly
    carried
    his
    red
    backpack

     
    The boy got a red backpack at a back-to-school event this summer. Even though we’re doing online school, he proudly wore it when we went to Springs Preserve. With the brilliant Birmingham Ink Magma in one of my pens, this was a no-brainer.

    10/2

    reaching
    out
    we
    discover
    ourselves

     
    I started the challenge with Foundational Hand, which I knew best. On this second day, I snuck in Celtic Half-Uncial to highlight the day’s prompt.

    ,

    10/3

    boots
    never
    worn
    new
    work

     
    I bought a pair of steel toe boots since we were about to start construction on a new DMV. Then I changed jobs. By the time life slowed down, it was too late to return the boots. They’re sitting in the closet, waiting.

    ,

    10/4

    exotic
    is
    your
    neighbor’s
    normal

     
    I paired an extreme form of Textura Precisus (cutting off the baseline of the script) with Chancery Hand (its narrowness lets me fit “neighbor’s” onto the page). These 5WP’s are a balancing act to find a decent poem that also works visually on the page.

    ,

    10/5

    eye
    see
    binoculars
    far
    out

     
    I took two bites of the apple with this one. After posting the first version, my daughter mentioned that the “b” looked small. I was also unhappy with the original wording so I went back upstairs to try again.

    The shading displays the proud entrance of brushes into the mix. I wanted something that could let me write larger on the page, after maxing with the 6.0mm Pilot Parallels. So now I got hairs to lay ink.

    ,

     
    This week has been fun. The 5 Word Poem format had gotten stale, so it’s been invigorating to have someone else hand me a fresh word to wrangle every day.

    It’s also a pleasant challenge to produce a finished drawing every day. Sometimes it’s important to lie fallow and just play, but a little pressure is often necessary to push the process. Luckily I had enough free time this week to both play with brushes and make a 5WP each morning. I doubt I’ll be so lucky in the coming weeks with incoming Halloween events.

    Cya next week!

    ,

    BONUS!

    The girl finally joined the Inktober fun on Saturday after I showed her a series with Pokemon. Hopefully she’ll keep it up, at least on the weekends.

    .

  • Book Notes, April, May 2024

    Now that we’ve finally put our books up on shelves after a decade in the garage, I pull random old books to enjoy before bedtime. The bedroom is getting crowded with a pile that needs to go back downstairs.

    Here are some notes before sending them back into the stacks.

    Staying by the bed

    Baron in the Trees, Italo Calvino—I’m still slowly working through this book. I paused to read Cosmicomics and might get distracted by T-zero but I want to finish it sooner rather than later.

    Letter on Ethics, Seneca—I enjoyed listening to the selected letters audiobook by Penguin so I picked up the complete letters translated by Margaret Graver last year. I finally started reading them; I’m enchanted by their brevity even though (spoiler warning) the later letters seem to run long.

    The Unbroken Web, Richard Adams—This collection of stories has that pan-religious vibe from the 70/80’s. I most likely would have sent this back onto the shelves but I wrapped it up as a self-birthday present so I might as well give it a solid try in June.

    Carlo Scarpa, The Complete WorksI borrowed this volum many times in college so I finally bought it as a birthday treat. In the past, I only looked at the images, but after spending 100 euros, I’m for damn sure reading the essays. Good lord, that’s some turgid writing. Architecture criticism at its finest.

    Going back up

    Cosmicomics, Italo Calvino—I’ve tried reading this many times over the years and finally broke through. It’s a tender collection of short stories based on scientific principles. I wonder if aging and kids have given me an appreciation for love stories.

    Zhuangzi (Burton) & Lieh-tzu (Graham)Always good to revisit two of the key texts of Daoism.

    Bobby Fischer Teaches Chess—The boy was curious about chess so we played a few times. I pulled this book of the shelves because I find chess utterly impenetrable. I’ve never been good at with spatial games, much less a perfect information abstract. I slogged through a couple exercises before giving up even though I’m still enchanted by the structure of this book.

    The 26 Letters, Oscar Ogg—Delightfully of its time though I wonder how it holds up with the historical scholarship over the past sixty years.

    40 days dans le desert B, Moebius—Absolute classic. Trippy as fuck.

    The Ode Less Travelled, Stephen Fry—I borrowed this book from the library when I thought I’d take my poetry experiments more seriously. Instead, work took over my life. In stressful times, the pursuit of quality may have the paradoxical side effect of stifling production. Time to send it back to the public library.

    Under the Jaguar Sun, Italo Calvino—I was searching for something to calm the mind, but this was a bit too intense. Turned out that my subconscious was close, since the correct answer was Cosmicomics.

    Journey to the West (Yu)Always good for a romp Great Sage Under Heaven. Plus a little poetry.

    Charles M. Russell—Nice overview of the artist’s work. Holy hell, the wild west was indeed wild. Life of all types was cheap back then.

    Signal to Noise, Neil Gaiman and Dave McKean—The art holds up. The writing is what you’d expect from a 30 year old writing about a protagonist twice his age. I loved Gaiman, but I’ve soured over the past few years. One day I’ll revisit Sandman, but I’m dreading the potential realization that I’ve outgrown this as well.

    Giovanni Battista PiranesiA collection of his prints. If drawn accurately, the scale of the ruins are unimaginable, towering over the inglorious lives conducted under these decaying edifices. Quite unsafe to stay in those shadows, though I guess you’ll take what you can get in the heat of summer. Beyond antiquity though, his renderings are sick. Beyond rad.

    Carlo Scarpa—In college, I picked up this Taschen survey on the (relative) cheap. It’s a passable intro to his work, though with the obnoxious style repeating text with multiple languages on each page. Then again, it reminded me of the greatness of Scarpa which lead to my big birthday purchase (noted above).
     

  • Money Multiplication Matters

    Tangents from a few books about money. I heartily recommend the one by Harry Browne; the rest are OK.

    ,

    Fail Safe Investing, Lifelong Financial Security in 30 minutes, Harry Browne, 1999

    If you’re a wimp (like me) this is the best book on investing. And if you get interested in Risk Parity style portfolios, check out Frank Vasquez’s “Risk Parity Radio” for up to date opinions and advice on this style of portfolio construction.

    • If you want to speculate, look elsewhere. Harry Browne advises that your profession will be your primary source of wealth and warns against taking risks like investing on margin.
    • Clean, clear advice. Some specifics are outdated (such as how to purchase investments) but his conservative concepts are solid.
    • I plan on revisiting this book every year. I’ve taken a more aggressive approach than his “Permanent Portfolio” (more stocks, less gold and bonds). Still, I thank him for introducing me to Gold. It’s a controversial asset but a game changer for me. It added a third uncorrelated asset class to ballast the portfolio, which made me more comfortable with investing heavier in stocks.

    ,

    Explore TIPS, Harry Sit, 2010

    Gotta start somewhere and I was curious about Treasury Inflation-Protected Securities when I started my investment journey in 2022. I’ve gone with a different investing strategy.

    • TIPS are bonds with inflation insurance. Harry is a fan of going heavy on TIPS relative to nominal bonds. (I believe a properly diversified portfolio will compensate for inflation with the other asset classes, so I don’t like the extra cost of the inflation insurance).
    • Purchase them at auction, the secondary market or via ETF’s. Harry Sit is open to all investment avenues.
    • I-bonds are more like CD’s since they can’t be sold on the secondary market. Harry Sit is not a fan.

    ,

    Value Averaging, The Safe and Easy Strategy for Higher Investment Returns, Michael E. Edleson, 1993

    An optimized way to pour cash into the investment market.

    • “Value Averaging” is setting a goal for how much you want an investment to increase over time and purchasing accordingly. Unlike “Dollar Cost Averaging”, Value Averaging pushes you to buy more when the markets are down and less when they’re up.
    • If you want to be awesome, the book gives a bunch of math to optimize the investment curve.
    • As a retail investor playing with small sums, I believe optimization is a waste. After learning the basics, the smallest edge requires a ton of study. Any such such bet will be overwhelmed by the capricious whims of the gods. Better to enjoy the finer parts of life.

    ,

    Die Broke, Stephen M. Pollen and Mark Levine, 1997

    I found the book in a random giveaway pile in Berkeley, maybe in lower Sproul Plaza. Two cities (and decades) later, I finally read it.

    • Great title and interesting provocation to reevaluate our relationship to money, work, and retirement.
    • I love books with unique structures. Part 1 is a short self help mindset manual. Part 2 is an alphabetical list of chapters with practical advice. (Since this book is almost thirty years old, I lightly skimmed the second part since I presume most of it is out of date.)
    • I enjoyed Part 1, partly because I already agree with their four key maxims. I view employment as a transaction not fulfillment, believe in avoiding debt, and doubt the positive good of leaving a large bequest. I’m not totally sold on the maxim of “Don’t Retire” but I appreciate their skepticism of the modern retirement paradigm.

    ,
     

    make
    money
    grow
    invest
    digits
    on a
    screen

    .

  • 2023 Retrospective & 2024 Prospective

    I’m trying a new format where I just comment on things with three bullet points. Hopefully it will help me blow through the backlog of old blog drafts. Thought I’d try it out by looking at the year in review and the year to come.

    But you must read Andrei Atanasov’s No. 26 – Dancing In A Supermarket first! I don’t care if you make it back.

    ,
     

    2023

    My theme this year was “catching up”. I feel like I did just OK with the theme, but the more that I think about it, it was an eventful year as we started re-integrated back into society despite our pandemic caution.

    Highlights

    • Buying a House
    • Visiting San Diego (twice!)
    • Two great architects joined the Division

    Hobbies

    • Reading — Homer and Tarot
    • Substack — finding fellow wanderers on Notes
    • Fountain Pens — Sketching and Calligraphy

    Lowlights

    • Getting the house ready for move-in, renovations are still miserable.
    • Didn’t exercise nor eat well enough, gained weight.
    • Distractions, unfocused focused, especially the second half of this year.

    ,
     

    a year
    a life
    goodbye
    tomorrow
    smiles and
    sorrow
    hello

    When calligraphing, I have to be completely focused. This morning I chose John Coltrane’s Giant Steps instead of the usual Chicken and Dumplin’s by Bobby Timmons. That slight change was enough to add an extra O to the page. Fortunately, the early mistake kept me ultra-concentrated for the rest of the exercise.

    It’s been twenty years since hand drafting at the ground floor of Ron Bogley’s house. Small residential doesn’t pay well, but it was the most fun I’ve had as an architect. Graphite on vellum is a lot more forgiving so I would listen to the baseball games as I lettered.

    ,

    2024

    My theme for next year is “settling in”. For the new house and everywhere else. The first half of the year will be a mess between the house and the biennial cycle for my government job. Hopefully the second half will be a time of customizing the home to fit our needs, it’s been a decade of always thinking we’re moving soon.

    Settling In

    • At the new House
    • Returning to the Office (again)
    • Digital Places and Processes

    Practices

    • Sketching and Calligraphy
    • Exercising
    • Reading my repeating “little library” and pushing forward on the classics

    Tiny Targets (and goals)

    • Three deep breaths on a yoga mat every morning. (I’d love to do the 8 Brocades three times a week, but I’ll start tiny.)
    • Sit down and say a small mantra before eating anything, including snacks. (The big goal is to lose a couple of pounds a month, but the numerical goal failed spectacularly last year. Maybe instilling a mindfulness practice is the first step in the process.)
    • Do something with a pen every morning (It would be nice to finish my OPM Letters and clear out my pile of read books to be blogged.)

    ,
     

    new book
    new year
    new month
    new week
    new day
    Foundational Hand
    new font 

    I wrote this on 12/26 with a new-to-me font from The Art of Calligraphy by David Harris. I messed up the word order on the last line (working from bottom up) and kept it for the rest of the poem. But it sounds wrong so I went back to the original wording in the light blue scribbles.

    I’m not sure if I will stick with Foundational Hand for a long period (as I did with Uncial) but I’ll give it at least a week before exploring other fonts.

    This morning habit of writing a tiny poem for calligraphy practice has a highlight of this season to close out the year. Thanks to Beth Kempton and Nadia Gerassimenko for catalyzing the #tinypoem project! I just got Mary Oliver’s A Poetry Handbook — hopefully her wisdom will help me write gooder before I start publishing them in earnest.

    On to another 366 days of discovery in 2024!

    !