GRIZZLY PEAR

written snapshots

Three versions of Peppercorn and a Badger in Blue

I spent some time just working a picture of Peppercorn and I thought it would be interesting to upload all three. The first one is the original shot out of the camera. Since I shoot raw, I never mess with white balance — especially since I spend most of my time just figuring out my exposure since so few of my lenses meter on the camera.

090324-d40-1744.orig

The first attempt was to try a drastically horizontal and centered composition. I spent quite some time trying to get it balanced right, however, I think in the end, it still had a Pepper head floating against the carpet.

090324-d40-1744.horiz

After taking a break, I took another stab at it and I think I am much happier with this. I realized that the colorful stuff in the background helps anchor the image in space and I think keeping it at a relatively normal aspect ratio kept it in the “photograph” realm as opposed to entering the “graphic design” realm (at which point I would need to do a lot more processing). I must add that shooting in RAW, while a bit heavy on hard disk space, gives you so much extra control over the post processing output that I unequivocally recommend it to anyone who plays with their shots after they upload it to their machine.

090324-d40-1744.vert

In general I do a lot of processing on the photos — sometimes the come straight out clean, but usually I do tweak a lot of little things here and there. For this photo, clearly more of a blurry composition, I did push the blues and I did push the highlights on Badger’s back as well as from the bottom corner. I’ve never really subscribed to the sanctity of the initial image — though I do try to avoid pushing things so far that they look like digital paintings (even if the photograph has been pushed and pulled a tremendous amount).

090325-d40-1789